In the remotest reaches of Central Asia a minor god is chained to a mountainside. Tongues follows his friendship with the eagle who comes everyday to eat his liver, a young girl on an errand of murder and a young man with a teddy bear strapped to his back lost in a wilderness and heading to a crossroads.
Set in a version of modern Central Asia, Tongues is a retelling of the Greek myth of Prometheus. It follows the captive god’s friendship with the eagle who carries out his daily sentence of torture, and chronicles his pursuit of revenge on the god that has imprisoned him. Prometheus’ story is entwined with that of an East African orphan on an errand of murder, and a young man with a teddy bear strapped to his back, wandering aimlessly into catastrophe (a character readers may recognize from Nilsen’s Dogs and Water). The story is set against the backdrop of tensions between rival groups in an oil-rich wilderness.
Tongues is loosely based on a trilogy by the ancient Greek playwright Aeschylus, of which two plays are lost and only dimly reconstructed by historians. Key to the story of Tongues is Prometheus’ role as creator and protector of humanity. In flashbacks and in Prometheus’ conversations with the eagle and others, the book will touch on humanity’s deep evolutionary past and its complicated prospects for a future. Tongues is both adventure story and meditation on human nature in our present fraught historical moment.